Roberts walked away from photography once, swallowed by the static of daily life, but he came back swinging. The camera became his weapon and salvation, a way to wrestle order from chaos and bring back proof that the wild is still out there kicking. Every shot is a field report: lightning storms stitched over the Three Sisters, deer skulls strung up in hunting camps, forests whispering secrets in the dark.

Through Nerdy Viking Photography, Roberts keeps driving down back roads, chasing storms, and crawling into the forgotten corners of the Pacific Northwest. His work is part survival note, part love letter, part battle cry. A reminder that beauty isn’t gentle, it’s feral, and you have to step off the map to find it.

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    brundleflyforawhiteguy: Many have shared their thoughts on Romero, so I’m probably not saying anything that hasn’t been said. This is just my personal account of my history of growing up with his films and what he meant to me as an artist. I didn’t really talk about it in the piece, but I got to… Read more

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